Netflix does not yet have a Best Picture Oscar, but Steven Spielberg is still apparently none too happy about the prospect of it winning one soon. The iconic filmmaker has long made his thoughts about Netflix known, saying last March that he flat-out doesn’t think Netflix movies should be eligible for Oscars. He compared Netflix originals to TV movies, saying, “I don’t believe films that are just given token qualifications in a couple of theaters for less than a week should qualify for the Academy Award nomination.”
Now, in the wake of three Oscar wins for Netflix’s Roma, including Best Director, Spielberg is prepared to propose a rule change that would rule Netflix films ineligible at an upcoming Academy Board of Governors meeting (he represents the Directors branch on the board). The news comes courtesy of Indiewire, though it’s unclear specifically what rules Spielberg would propose to be changed, and whether Netflix increasing the length of a theatrical window ahead of a streaming release would ease his concerns.
A spokesman for Amblin had this to say:
“Steven feels strongly about the difference between the streaming and theatrical situation. He’ll be happy if the others will join [his campaign] when that comes up [at the Academy Board of Governors meeting]. He will see what happens.”
This puts Spielberg in direct conflict with his friend and fellow filmmaker Martin Scorsese, whose new film The Irishman will debut on Netflix later this year. The streaming service has already committed to a theatrical release for the film, but Scorsese reportedly wants them to give the film a wide release. That poses a challenge. Roma was released in theaters three weeks before it hit the streaming service—a first—but only in limited release, and it followed a smaller platform rollout in the ensuing months.
In order to convince major theatrical chains like AMC or Regal to carry The Irishman, either Netflix would have to bend to their rules and release the film in theaters a full 90 days before it hits Netflix, or theater chains would have to break their long-held standards that hold fast to the 90-day window. That window of exclusivity is there to ensure that exhibiting films is worth a theater’s while—if a movie’s on Netflix at the same time it’s in theaters, chances are most people aren’t going to pay extra to go see it in a movie theater.
Spielberg has always been a brat about giving credit where it’s due. I wish he would just sit back and do his sadboy alien movies and just leave the awards industry alone
Netflix chooses its programming based on what shows and movies are popular on piracy sites, Netflix’s Vice President of Content Acquisition, Kelly Merryman, told Tweakers. Netflix looks at what people are downloading and then buys the rights to the titles in highest demand.
According to TorrentFreak, Netflix CEO, Reed Hastings, suggests that offering people what they want will sway them to use Netflix instead of BitTorrent as their source of entertainment. The idea may not be far-fetched, since BitTorrent traffic in Canada dropped 50% after Netflix appeared three years ago.
“Netflix is so much easier than torrenting. You don’t have to deal with files, you don’t have to download them and move them around. You just click and watch,” Hastings says.
You mean providing content people want to watch in a cheap and easily accessible format reduces stealing??? (Personally, this is entirely accurate - i check netflix, hulu, and amazon prime before i stream something)
Netflix and chill by yourself except Netflix sucks and you’re also too depressed to give a shit to pick something out from Netflix so you just go ahead and stare vacantly into the screen for several hours while reruns of some stupid sitcom air until another day has eclipsed and you’re a little closer to the moment of pure ecstasy that will come with the end of this cartoonish nightmare that is your existence
Justin Simien’s critically acclaimed indie sociopolitical dramedy Dear White People is being adapted into a 10-episode Netflix series. Simien is working with the streaming service for the TV adaptation and will be a writer for all 10 episodes, as well as the director for the pilot. When we’ll get to see it.
Okay, so here’s why Netflix speedtest is so brilliant.
Most of us know about Speedtest.net, right? Well Comcast and Time Warner know about it too. They know customers use it to check to see if they’re getting what they are paying for. Comcast techs even tell customers to check their speed with Speedtest.net.
So, to make sure people think they are getting good speeds, Comcast and Time Warner prioritize traffic going to Speedtest.net. When you check your speed there it’s artificially inflated. That is NOT the speed you are getting when you browse tumblr and that is definitely not the speed you get when you watch Netflix.
Comcast and Time Warner can not artificially inflate the results by prioritizing traffic to Fast.net unless they also prioritize traffic to Netflix, and they definitely do not want to do that.
This is what we get in Halifax, Nova Scotia. I’ve been told we have the fastest internet speeds in Canada, because of legislation that forces telecom companies to compete.
The show comes from director Kim Seong-hun, and it will be about a
prince going on a quest to “investigate a mysterious outbreak that leads
him to a brutal truth that threatens the kingdom.”
Kingdom will premiere on Netflix around the world in 2018.
Okay friends today we are gonna learn
about the GHOST ARMY, which, disappointingly, was not actually an
army made of ghosts
pictured: the unit patch for the
Ghost Army, which is DOPE AS FUCK
see one of the things that made WWII so
fucking nuts was the totally bizarre level of technology. Like wow we
invented the first real computer and radar but also if you wanted to
see how many troops were hanging out somewhere you had to send a dude
to fly over and take pictures manually??? this left A LOT of room for
shenanigans
so the normal method of dealing with
aerial surveillance was to cover shit with camouflage netting. Say
you’ve got an nice air base that you really don’t want any bombs
dropped on- you literally just cover that with a ludicrous amount of
netting and some fake trees and BAM now it looks like just an empty
field from the air
there’s a building under that weird
lump
that’s cool! That’s
really cool! But not cool enough
At some point
somebody sat down and went “hey wait. What if…what if instead of
disguising buildings and units as fields, we disguise fields as
units”
holy fucking
shit!!!
the British had
used a bunch of fake tanks and like, boxes of provisions stacked up
in tank shape and then covered with a tarp in 1942 during Operation
Bertram and it worked really well, but they didn’t have a special
unit devoted to just clowning on the Germans like that.
so the US military
decides they do want a designated clowning unit and goes out and
recruits a bunch of fucking nerds from all the art schools and makes
them into the 23rd Headquarters Special Troops aka THE
GHOST ARMY, WHY THE FUCK WOULD YOU USE ANY OTHER NAME LIKE SERIOUSLY
the ghost army’s
job was basically to go in, sidle up to a real unit, and then
basically set up a fake version of that unit while the actual unit
sneaked away to go dunk on Nazis where the Nazis weren’t expecting
them
okay time to get
into the really cool part of this story, which is HOW the ghost army
faked being a real unit:
step 1: INFLATABLE
TANKS AND AIRCRAFT OH MY GOD
that’s a big ol balloon!!!
the ghost army had
a stockpile of inflatable tanks, aircraft, artillery, cars, whatever,
that they would set up and then poorly cover with camouflage
netting so from the air it looked like someone had just done a
real shit job of hiding actual materiel. They even had dummy soldiers
that they would set up to make the scene look populated, since the
ghost army itself was about 1,000 dudes regularly imitating units of
30,000 men
what’s really cool
is that visual deception was more than just the inflatable stuff
itself. If the ghost army plopped down a balloon tank, they then also
had to go out with shovels and rakes and shit to make a fake track
that a real tank would have left, because it turns out tanks are
really hard on your landscaping
step 2: “spoof
radio”
the last couple of
days before the real unit moved out, the radio operators of the ghost
army would move in. see, radio transmissions were done in Morse code,
and it turns out every radio operator has a slightly different “fist”
when typing Morse. A “fist” is basically typing style- some
people would take longer to type out certain letters or would have
pauses between groups or anything like. Anybody listening to the
radio transmissions who was skilled enough could tell different radio
operators apart from just their fist
anyway the ghost
army operators would move in and basically listen to all the real
unit’s radio transmissions until they had learned the real operators’
fists. Then they would take over radio traffic, imitating that fist
so it seemed like the real operator had never left. I forgot to make
this section funny because I was too caught up in how rad it is SORRY
step 3: making a
lot of noise
the ghost army had
special trucks fitted with huge fuck off speakers and a whole library
of stock sound effects. Once the real unit left and the fake unit
inflated, the sound trucks would come in, select a combination of
sound effects that matched the unit they were impersonating, and then
played everyone in the 15 mile radius of the speakers their fire mix
tape
step 4: fuckin
partying!!!
see the thing about
impersonating your own units is that other allied units would know
about it and might talk about it where enemy collaborators could
hear. So the ghost army had to fool the Germans but they also had to
fool their own army. Every time they impersonated a new unit,
the ghost soldiers would paint that unit’s insignia on all the fake
materiel, make fake signs with the unit’s name and colors, and sew
the unit’s patches on their own uniforms
once they were
dressed up as soldiers from the impersonated unit, the ghost army
dudes would go into town and mingle with other soldiers from actual
fighting units nearby and hang out in bars while loudly saying things
like “YES HELLO I AM DEFINITELY A REAL SOLDIER FROM THE WHATEVER
DIVISION, ABSOLUTELY FOR REAL STATIONED ON THAT HILL OVER THERE”
so anyway this
bunch of weedy American art nerds staged 20+ battlefield deceptions
between 1944 and the end of the war, sometimes fooling that Germans
so successfully that they actually got shelled
I'mma leave you
with this quote from the book “The Ghost Army of World War II” by
Rick Beyer and Elizabeth Sayles, because it’s a quote from an actual
member of the Ghost Army and that alone makes it funnier than
anything I could ever write:
On another
occasion, two Frenchmen on bicycles somehow got through the security
perimeter. Shilstone managed to halt them, but not before they had
seen more than they should. “What they thought they saw was four
GIs picking up a forty-ton Sherman tank and turning it around. They
looked at me, and they were looking for answers, and I finally said
‘The Americans are very strong.‘”
Okay, so here’s why Netflix speedtest is so brilliant.
Most of us know about Speedtest.net, right? Well Comcast and Time Warner know about it too. They know customers use it to check to see if they’re getting what they are paying for. Comcast techs even tell customers to check their speed with Speedtest.net.
So, to make sure people think they are getting good speeds, Comcast and Time Warner prioritize traffic going to Speedtest.net. When you check your speed there it’s artificially inflated. That is NOT the speed you are getting when you browse tumblr and that is definitely not the speed you get when you watch Netflix.
Comcast and Time Warner can not artificially inflate the results by prioritizing traffic to Fast.net unless they also prioritize traffic to Netflix, and they definitely do not want to do that.