27. Astrophysicist, writer, artist. Michigan. Business inquiries: kaijunobiz@gmail.com
i literally know absolutely nothing about good omens but can I just say... Crowley looks like the final pam
I fucking DARE you to tell me they don’t look alike
HOW YOUR ARMAGEDDON GO, HEAVEN AND HELL? NEXT TIME YOU INVITE CROWLEY
WELCOME TO THE MONSTER FACTORY
i do this. this is final pam. you remember how your backyard barbeque go, the smiths. pretty good it doesn’t seem. ha ha. i tell little joke. next time, you invite pam.
why does this fucking monster factory joke aesthetic have a more bold and innovative layout style than any edit ive seen in any other fandom
WELCOME TO THE MONSTER FACTORY
i do this. this is final pam. you remember how your backyard barbeque go, the smiths. pretty good it doesn’t seem. ha ha. i tell little joke. next time, you invite pam.
I realized a haircut I had a couple years ago would work for a Crowley cosplay and through the power of a shitty photo editing app I made it happen
Crowley driving like a fool isn’t even acting that’s just how David Tennant drives
“sometimes your arms are simply too short to box with god” is some metaphysical next level shit and i cant believe it was said in describing a monster factory in universe wrestling match between turbovicki and the final pam
Crowley owns this dress fight me about it
Proof Crowley is gay
Can’t sit like a normal human being
Good Omens - The Blitz, London, 1941 (Behind the Scenes)
Excerpt from Syfy Wire interview with Good Omens costume designer, Claire Anderson - about the Blitz scene:
Aziraphale’s tartan necktie becomes a bow tie, and his penchant for wide lapels, a nod to his wings, continues, this time with a spear-point collar. Crowley, who comes to save Aziraphale once again, is dressed more formally, in a full double-breasted wool suit that must have been hard for David Tennant to wear in the South African heat. “The rest of the crew were in flip-flops and T-shirts, and David was in the suit, hat, and those big boots,” Anderson says, recalling the shoot. “He had to be very physically active in that scene, and yet David didn’t complain about the heat or anything. He’s amazing.”
Cat in the summer meadow, 1920 - Bruno Liljefors (Swedish, 1860-1939)
