I bind fanfic and other underground writing into real books. I am a Guerilla publisher.
In a nutshell, the reasons why:
- A demonstrative statement on the validity of “fic” in general (and fanfic within that specifically) as a newborn genre of literature that has really only come into its own in the last 15-20 years.
- Disrupting preconceptions about what is valuable and worthy of being in print, much less published in a fine edition.
- An act of anti-capitalist resistance. Participation in the traditional gift economy of fandom. Most of my projects are volunteer and gifts.
- Preservation of fandom history and works for future generations. These books cannot blip out of existence by puritanical updates to a socmed terms of service. These books are acid-free, archive ready, made to survive for another century.
- Demonstration against censorship of fiction. Most of the books contain subject matter some people may find objectionable on various grounds.
- In summary, it’s a big Fuck You to power structures that silence people. Also it makes my friends so happy that they cry, so that’s nice too.
My book design is deliberately conservative because I am challenging ideas of what should be inside the book. The more a book looks like something a “real” publishing house would put out, the stronger and more subversive the statement it makes.
I am also doing a lot of research working on replicating the style of books from centuries past, and publishing historical fic set in whatever period, in an embodiment that matches. Colors, typography, even form factor as much as possible. I have done Victorian, Edwardian, Renaissance eras.
Here are some various process pics. Books pictured:
WAR, CHILDREN by Nonymos (Captain America: Stucky)
AND THEN THERE WERE TWO by NymeriaKing (Star Wars / Kylux)
BLUTRUNST by IncurableNecromantic (Over the Garden Wall)
CHOSEN MAN by Sineala (Eagle of the Ninth)

I am going to add some links here, too, for anyone whose introduction to gift economy and fannish preservation practices was this post and want to learn more. You can also search our bibliography at Zoter by keywords for any of these topics. Fandom and/as labor, guest edited by Mel Stanfill and Megan Condis, University of Illinois, Urbana-Champaign: https://journal.transformativeworks.org/index.php/twc/issue/view/16 “Fan Works and Fan Communities in the Age of Mechanical Reproduction,” special history issue of TWC guest edited by Nancy Reagin, Pace University, and Anne Rubenstein, York University: https://journal.transformativeworks.org/index.php/twc/issue/view/7 Zotero bibliography: https://www.zotero.org/groups/11806/fan_studies_bibliography/items
















