faroe islands, july 2018
faroe islands, july 2018
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“Kimiko Nishimoto learned how to use a camera for the first time at the age of 71 and even furthered her skills by taking courses on digital editing to manipulate her images. While she mostly focuses on still life and nature photography, she has a series of hilarious self-portraits involving random costumes and staged falls.” (x)
a serious inspiration
Later in life goals
its 2015 why dont we have those windows where you can change the outside scenery to whatever landscape you want
The Concept of Non-Photography:
Non-photography, theorized by François Laruelle, is about devorcing all context from a photgraph. There is no concept of a subject, photographer, composition, pretext, or context. It exsists in a void as a sort of non-thing, as if there was no sentient being able to percive and analize it. It exsist’s merely as an aeasthetic, but not even really as an aesthetic because that is a philosophy in itself.
He states that the photograph is not a picture of reality or even a copy or abstraction. It is a fiction that is “wholly real but in its own mode”- the fictional realm. The photograph is unique unto itself, an unlimited opening into the world occasioned by lights and shadows in time, but is in no way constrained by either the experiential universe or the theoretical and art historical preconditions set up for it.”
Legendary photography Gregory Crewdson works within a photographic tradition that combines the documentary style of William Eggleston and Walker Evans with the dream-like vision of filmmakers such as Stephen Spielberg and David Lynch.
