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Found Furiosa negotiating London traffic
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okay but like how did this interaction go they’re both stuck in traffic looking out the window does Tom Hardy yell to this bus driver: FURIOSA! it’s ME MAX or does this awesome bus driver startle all her passengers by leaning out the window and yelling HEY MAX IT’S ME FURIOSA either way!!!! look at her blowing kisses! look at him all pleased i love this so much (via wildehack)
dont even get me started on how precious tom hardy is he looks scary and all but in reality he loves all dogs and is a sweet pea bless him
People who don’t know anything about the french revolution aside from “the peasants wanted bread so they started a war and the king and queen got their heads cut off” should just not share their ignorant opinions about Marie Antoinette and the monarchy and the role they played in the revolution
Marie Antoinette wasn’t the materialistic empty-headed blonde bimbo that a lot of people think she was. She was, first and foremost, a young girl. She (along with Louis) was still a teenager when she was crowned queen, and anyway she knew she was too young to rule (“Oh God protect us, we are too young to reign” —when Louis XV died). On top of everything, she was lonely at French Court. In Austria, she had tons of siblings she could play with but in Versailles all she had were three aunts that were much older than her (and gave her pretty bad advice at one point). Plus in her first few years, she and Louis were still strangers so they didn’t talk much (that changed later on but that’s besides the point). SO, she was a) a 14 year old girl, b) a complete stranger to france and its culture, and c) alone and virtually friendless for some time. Not to mention, her so-called “friends” (her three aunts) gave her really sucky advice about ignoring Louis XV’s current mistress and upsetting both her father-in-law and a lot of the French Court—all because her aunts had some personal issues with Madame du Barry. And on top of everything, France was already in a tricky spot and she was pressured by her mother to have an heir and also make sure the French were not angered by Catherine the Great of Russia partitioning Poland and handing it out to Austria and Prussia. Imagine dealing with all that shit as a teenager.
Pretty sure most people know that the “let them eat cake” myth is already debunked, but that leads me to my next point—she had, and has, the image of being an apathetic, money-guzzling queen when in reality she was extremely compassionate and generous. This is from Marie Antoinette and the Decline of the French Monarchy:
“The first occurred when her carriage passed the scene of an accident. She insisted her driver stop, then tended to the wounded man herself while her attendants went for help. She refused to leave until he was safely on his way to a doctor.”
and also…
“A peasant was accidentally fatally wounded during one of Louis Auguste’s hunts and Marie Antoinette had him taken to his home in her own carriage, and when he died, she made her his wife and children were compensated.”
That “let them eat cake” phrase being attributed to her and making her seem cruel and indifferent to the starving poor is complete crap but it’s just part of the revolutionary propaganda that blamed her for the country’s inability to govern their subjects properly and justly. Which brings me to my next point…
The peasant’s weren’t actually the direct cause of the revolution. Revolts by the starving peasants were actually considered harmless just right before the official breakout of the French Revolution. And even during the revolution, it wasn’t the peasants that led that bloody and poorly planned revolution. It was middle class white men from the third estate who basically wanted to pay less taxes so they could have more money for themselves. As if they gave a shit about the starving peasants. The bourgeoisie were made of lawyers, bankers, merchants… in other words, they had enough money. They were educated, so they were the ones who led the French Revolution. Not the peasants. That’s why the Revolution shouldn’t be romanticized as some noble attempt to give the peasants food again—the leaders of the revolution had their own ambitions in mind. Once the educated and persuasive bourgeoisie rallied the support of the peasants, that’s when the peasants actually posed a threat to the monarchy (see: the women’s march on Versailles).
Revolutionaries were REALLY fond of pointing fingers, and Marie got the brunt of it. They called her Madame Deficit and blamed her for France’s financial crisis, but Marie’s role in the financial crisis wasn’t… actually …that big?? She did spend a lot of money, but the main cause of the crisis was the aid they sent to the American Revolution, taxes that the CLERGY set on the third estate, the ancien regime in general, the previous king’s lavish spending, along the king before that (Louis XIV) digging France into debt with war costs. So in perspective, Marie buying lots of dresses and perfumes isn’t that big of a deal, coupled with the fact that she didn’t have an idea what the hell was going on with the economy anyway!! Is it really fair to blame an woman who was kept in the dark about the country’s financial troubles over continuous, conscious mistakes made over the reigns of the past two French kings??
tl;dr Marie deserves all the sympathy in the world and the historians who condemn her probably only researched the French Revolution as a whole and not Marie specifically. Marie was an ordinary teenager girl despite her position and she wasn’t ready for the pressures put on her both when she was a princess and as a queen, and she was in no way deserving of death, nor was her husband. The people who are at fault, morally and/or otherwise, are the clergy, the selfish bourgeoisie, and also the incompetency of the people behind the king (financial advisors & etc). Not Marie.
Just also think its important to note that the same woman everyone portrays as self centred accidentally step on he foot of her executioner moments before her death and gave her sincerest apologies to the man who was about to chop off her head
From EW, October 30 2015:
Tom Hardy might wrestle you if you try to give him an Oscar
- The mysterious British actor is unconventional in every way -
Tom Hardy is best known for his portrayals of brooding, intense, even savage men: Max Rockatansky in Mad Max: Fury Road, Batman’s nemesis Bane in The Dark Knight Rises, a deranged English criminal in his audacious breakout in Bronson. So the presumption is that the man and his cinematic counterparts must share some dark blood.
But in a hotel suite in Los Angeles earlier this fall, the 38-year-old Brit seemed far more teddy bear than grizzly — a stuffed rabbit peering out from inside the pocket of his button-down shirt, metal bracelets jangling on his wrist. Everything about him is unexpected, and he likes it that way. “I’m not really interested in [playing] straight leads,” he says. “I have crooked teeth.”
This fall he will bare those teeth playing notorious twin gangsters Ron and Reggie Kray, who terrorized London in the 1960s, in Legend. And in Alejandro G. Iñárritu’s The Revenant, he costars as John Fitzgerald, the mercenary fur trapper who abandons Leonardo DiCaprio’s Hugh Glass in unforgiving 19th-century terrain. Making the film was grueling, by all accounts. Iñárritu, who won Oscars for Best Picture and Best Director for Birdman earlier this year, insisted on shooting in often freezing temperatures in the wilds of Calgary and Tierra del Fuego and pushed his actors and crew to extremes.
• “He’s unlike any director I’ve ever worked with,” Hardy says. “He sees things how he sees them, so to give him back what he wants is quite an interesting experience. It could drive you f—ing nuts.”
To loosen things up on set, Hardy chose an unconventional method: wrestling with his director.
• “When things get a bit too serious, I go, ‘Why don’t we have a cuddle in front of all these people here?’ ” Hardy says. “It ends with both of us falling down in the snow. I think that’s a good thing. If I’m the naughty boy for doing that, then I’d rather be the naughty boy and release that tension.”
For his part, the director came to appreciate his star’s contradictions.
• “On the surface, he can look inaccessible or difficult,” Iñárritu says. “But he is just a beautiful human being. He’s incredibly sensitive and lovable.”
And quite funny. He likes to compare his director to a well-known cartoon character.
• “He had the affability to me of the donkey from Shrek and I’m Shrek,” says Hardy. And he has a lot to say about working with his pal, DiCaprio:
• “I do a bit of heavy-lifting with all the lingo and Leo does the face-pulling. He does some significant face-pulling. And he’s awesome at it.”
If nothing else, Hardy is unpredictable. Most actors dream of an Academy Award, but Hardy doesn’t think he should be allowed into the Oscar theater.
• “Lock me out of that, for your own good,” he says. “It’s like putting a wig on a dog, or a tutu on a crocodile. It doesn’t look right, it’s not fair to the animal, and inevitably someone will get bitten and hurt.”
We’ll take our chances.
hmmm
You BEHEAD
Marie Antoinette?
you CHOP her head like the GUILLOTINE??
OH OH CHAOS FOR FRANCE! CHAOS FOR FRANCE FOR 1000 YEARS!!!!
Have you ever really thought about how when you look at the moon, it’s the same moon Shakespeare and Marie Antoinette and Van Gogh and Cleopatra looked at.
they all looked at the moon
they’re all dead
the moon is killing people
wake up america







