Anonymous asked:
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Submission: I re-learned some new things
aesthetic
Hey. This is the beginning of the DVD where it says the opinions expressed in the commentary (submission) do not reflect those of the distributer (Space Mom).
I cannot stress enough how little of a reylo shipper or a keylo stan I am, but for G-d’s sake some of you people need to learn how to consume media critically. Like, actually critically, not “if this character was real and did the things they did in real life he would be an irredeemable bastard and so he shouldn’t get a redemption arc.” What the fuck, guys? Yes, the motherfucker tortured people and killed his dad and was complicit in literal genocide, but that’s just bad writing. We’re meant to consider him a villain in the same way we considered Vader a villain, but one of the ways they tried to convince us was destroying planets. But no one in the entire series ever actually ACTS like a planet has been destroyed, least of all Leia, who in IV seems super cool about the whole thing immediately. It’s a characterizing flourish that is as clumsy and as miscalculated as it is common to the series. If you read this and think I’m saying anything close to “genocide and depictions of genocide are okay,” that’s exactly the problem I’m talking about. The sequel trilogy mirrored (and magnified) the original trilogy not just because they learned after the prequels that audiences wanted less new stuff, but because the sequels leaned heavily on the idea of inheritance. Kylo Ren tortured Rey and blew up planets because Vader tortured Leia and blew up planet(s?). What we want for villains in fiction should not necessarily be what we want for villains in reality and the fact that this distinction is so rarely made is deeply troubling to me. If Avatar: The Last Airbender wasn’t a show for kids (or, at least, on a network for kids), Zuko probably would’ve killed people and you guys would say he shouldn’t have a redemption arc. Let me be clear: the bad writing is not that a villain gets redeemed, but that a villain meant for redemption is characterized poorly. Make the distinction, please, I’m begging you. All the discourse typed about characters not meeting the standards of perfect moral rectitude necessary to be liked creates genuine moral failure when people who like the story are forced to defend evil actions as if they were committed in reality. It would be, without hyperbole, exhausting to bridge over from the previous point to this next and perfectly expand on it, so let me just briefly say: in the same way that characterization descends into caricature because broad narrative strokes are often necessary to illustrate fine points (he’s a villain, so he must act cruelly even if he is to be redeemed, so let’s have him DESTROY PLANETS), it is often necessary for writers of fiction to use tropes to convey something fresh. The redemption arc of a mildly sympathetic villain is a trope, a narrative caricature, used as a vehicle for the author’s unique story. To simply say that villain redemption is old and overdone is to fundamentally misunderstand how fiction is created and structured.
iguanamouth answered:
choose wisely

the first bird will unlokc any door. the second bird tells you what you want to hear. the third bird tells you what you NEED to hear. the fourth bird says nothing but its eyes say all
My tour of sadness through Megacon.
I CANT BELIEVE IM LOOKING AT A COSPLAY OF THAT ONE BIRD GIF
IT’S NOT JUST A BIRD GIF IT’S A VERY IMPORTANT BIRD OF PARADISE CALLED THE SUPERB BIRD OF PARADISE, IT IS FAMOUS BECAUSE OF BBC’S PLANET EARTH HOSTED BY DAVID ATTENBOROUGH OKAY
JESUS
IT STARTS THE DANCE AT 2:05
THE COSPLAYER DOES A SPLENDID JOB OF PERFORMING THE MATING DANCE AS SCRIPTED AND I THINK THAT’S VERY IMPORTANT
HERE IS WIKIPEDIA’S FRANKLY SPECTACULAR JUSTIFICATION FOR THE DANCE
The species has an unusually low population of females, and competition amongst males for mates is intensely fierce. This has led the species to have one of the most bizarre and elaborate courtship displays in the avian world. After carefully and meticulously preparing a “dance floor” (even scrubbing the dirt or branch smooth with leaves), the male first attracts a female with a loud call. After the curious female approaches, his folded black feather cape and blue-green breast shield springs upward and spreads widely and symmetrically around its head, instantly transforming the frontal view of the bird into a spectacular ellipse-shaped creature that rhythmically snaps its tail feathers against each other, similar to how snapping fingers work, whilst hopping in frantic circles around the female. The average female rejects 15-20 potential suitors before consenting to mate.
THIS COSPLAYER HAS TRULY CAPTURED THE SPIRIT OF THE BIRD AND ITS DANCE AT EVERY LEVEL
Making friends with people from other countries is so crazy. I sent my group chat a Big Bird gif.
And this one girl says, “why isn’t he blue?”
I’m like, the fuck you mean??
So today I learned that in the Dutch version of Sesame Street, they do, in fact, have a blue Big Bird.
I was baffled by this so I went on Muppets Wiki and guess what.
In Mexico, Big Bird is green and his name is Abelardo.

Turkish Big Bird (aka Minik Kus) is apparently fucking orange.
This looks like a fuckin alternate universe or smth. I can’t.
reblog if bird
*picture of bird*
o fuc
uh
y’all weren’t supposed to see this hold on
y’all better stop reblogging the post aint done yet
SHOW US THE BIRD
hold on , i am lookin ,
GIVE US THE BIRD

b i r d l o c a t e d
This bird picture far exceeded my expectations well done I love it.
[Video of venerable TV naturalist David Attenborough standing amid vegetation. On a near-horizontal branch above his head is a brown and yellow greater bird of paradise, about the size of a crow, with big floaty yellow plumage puffing out along its back.]
Bird: Pwuk. Pwuk.
Venerable TV naturalist David Attenborough: This, surely –
Bird (hopping along the branch): WUKWUKWUkwukwukwukoooh. Oooh. Oooh.
[Cut. Same shot.]
Venerable TV naturalist David Attenborough: This, surely, is one –
Bird: Kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark kark.
Venerable TV naturalist David Attenborough: This, surely –
[Cut. Same shot but the bird is on the other side now and venerable TV naturalist David Attenborough has his hand on the branch.]
Bird (hopping up and down on venerable TV naturalist David Attenborough’s fingers): Eh-eh. Eh-eh. Eh-urrrr. Eh-urrrr.
Venerable TV naturalist David Attenborough: Close up –
Bird (hopping away from him): Tiktiktiktik. Tiktiktiktik.
Venerable TV naturalist David Attenborough: – the plumes –
Bird (hopping around): Huek.
Venerable TV naturalist David Attenborough: – are truly –
Bird: Huek.
Venerable TV naturalist David Attenborough: – exquisite.
Bird: Huek. Eh-eh.
Venerable TV naturalist David Attenborough: The gauzy –
Bird (hopping and spinning on the spot): HukWUKWUKWukwukoooh. Oooh.
Venerable TV naturalist David Attenborough: …
[Cut. Same shot but the bird is back on the original side of the branch.]
Bird: Aark.
Venerable TV naturalist David Attenborough: Of course, by the eighteenth century –
Bird: Ehhh.
Venerable TV naturalist David Attenborough: – naturalists realized that birds of paradise –
Bird (hops across to the other side of the branch)
Venerable TV naturalist David Attenborough: – did have –
Bird (hopping back again): Krrrrrrrrrrrrrrrr.
Venerable TV naturalist David Attenborough: – legs. Even so –
Bird: WUKWUKWUKWukwukwukooh.
[Cut. Same shot.]
Venerable TV naturalist David Attenborough (apparently trying to tickle the bird’s tummy): – by about the eighteenth century –
Bird (hops away and spins round)
Venerable TV naturalist David Attenborough: – and so –
Bird: AAAAAK AAAK AAAK AAAK AAAK AAAK AAAK AAAK AAAK AAAK AAAK aaak.
Venerable TV naturalist David Attenborough (wearily): … Very well.
[Cut. Same shot.]
Venerable TV naturalist David Attenborough: – but Karl Linnaeus, the great –
Bird (vibrating rapidly on the spot and then flapping its wings): PWAAAAAAAK.
Venerable TV naturalist David Attenborough: – classifier of the natural world –
Bird: AAAAAUUUH AAAUUUH AAAUUUH AAAUUUH AAAUUUH AAAUUUH AAAUUUH AAUUH.
Venerable TV naturalist David Attenborough: – when he came to allocate a scientific name –
Bird: …
Venerable TV naturalist David Attenborough: – to this bird –
Bird: …
Venerable TV naturalist David Attenborough: – called it –
Bird: Wooo-ooo.
Venerable TV naturalist David Attenborough: – wooo-ooo –
Bird (surveys the surroundings with a dignified turn of the head)
Venerable TV naturalist David Attenborough: ‘paradisia apoda’: the bird of paradise –
Bird: Hoooo.
Venerable TV naturalist David Attenborough: – without legs.
Bird: Eh-eh.
[Close-up of the bird.]
Bird: WUKWUKWUKWUkwukwukwukwukoooh. Ooh.
Bird: Ooh.
[Fade to black.]
reblogging for transcript
The fact that the bird is completely ok with a moving shrub makes me wonder about the possibility of Ents.
A bird in the hand and a bird on the head, like the proverb said!










