Moon and Venus conjunction
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Moon looks NOTHING like it does in Majora’s Mask. 0/10.
The moon looked a little orange tonight
aquadragondavanin asked:
MOON MOON MOON MOON MOON MOON
yes
Anonymous asked:
Pop quiz. Explain how the lunar phases relate to eclipses.
For some reason this is giving me real “if you don’t know this obscure fact you’re not a real fan” vibes.
You can only get solar eclipses during a new moon because the moon has to be between the Earth and the sun. If the moon is between the Earth and the sun, no light reflecting off the moon comes to us on Earth.
You can only have a lunar eclipse during a full moon because the earth has to be exactly between the moon and the sun.
So on and so forth, obligatory umbra-penumbra diagram, blah blah blah
Anonymous asked:
Space mom I REALLY want to go to the moon. We’ve been talking about NASA and how it started and all the missions they did in my AP physics class and it just really really intrigues me. I want to be someone who walks on the moon. Do you think NASA will ever send someone to the moon again? Do you think it’s possible I could be one of the people who go to the moon?
Anything’s possible! If not with NASA then maybe with a private company.
Have you ever really thought about how when you look at the moon, it’s the same moon Shakespeare and Marie Antoinette and Van Gogh and Cleopatra looked at.
they all looked at the moon
they’re all dead
the moon is killing people
wake up america
The Concept of Non-Photography:
Non-photography, theorized by François Laruelle, is about devorcing all context from a photgraph. There is no concept of a subject, photographer, composition, pretext, or context. It exsists in a void as a sort of non-thing, as if there was no sentient being able to percive and analize it. It exsist’s merely as an aeasthetic, but not even really as an aesthetic because that is a philosophy in itself.
He states that the photograph is not a picture of reality or even a copy or abstraction. It is a fiction that is “wholly real but in its own mode”- the fictional realm. The photograph is unique unto itself, an unlimited opening into the world occasioned by lights and shadows in time, but is in no way constrained by either the experiential universe or the theoretical and art historical preconditions set up for it.”
Legendary photography Gregory Crewdson works within a photographic tradition that combines the documentary style of William Eggleston and Walker Evans with the dream-like vision of filmmakers such as Stephen Spielberg and David Lynch.